20.500.12556/RUP-22279 Pomen harmonsko-oblikovne analize v skladbah Iva Petrića (1931–2018) in Alojza Srebotnjaka (1931–2010) za harfo solo pri oblikovanju interpretacijskih rešitev The role of harmonic-form analysis in the compositions of Ivo Petrić (1931–2018) and Alojz Srebotnjak (1931–2010) for solo harp in the development of interpretative solutions Harmonsko-oblikovna analiza skladb za solo harfo Alojza Srebotnjaka in Iva Petrića prikaže nekatere tehnične in interpretativne izzive, s katerimi se srečujejo mladi harfisti. Ključni elementi za dobro harfistično interpretacijo so pravilna uporaba agogike, polimetrije, hemiol, arpeggiev in upoštevanja pavz. Omenjena analiza omogoča lažje razumevanje skladateljevih idej, vendar dopušča interpretativno svobodo v okviru zapisanih usmeritev. Skladbe se v glasbenem izobraževanju sicer pojavljajo, vendar jih izvajalci pogosto obravnavajo selektivno, pri čemer se izogibajo daljšim in zahtevnejšim delom, zato ta običajno ostajajo v senci bolj znanih tujih del. To domnevo dopolnjuje tudi anketna analiza, ki kaže, da izvajalci skladbe ocenjujejo pozitivno, vendar so krajše in tehnično enostavnejše skladbe bolj priljubljene. Anketni odgovori izkazujejo potrebo po večji vključitvi omenjenih skladb v pedagoške programe in koncertni repertoar slovenskih harfistov, saj ponujajo pomembno priložnost za umetniški razvoj mladih harfistov. The harmonic-form analysis of solo harp compositions by Alojz Srebotnjak and Ivo Petrić examines the technical and interpretative challenges faced by young harpists and analyzes the significance of these works for pedagogical use. The key elements for a good harp interpretation include the correct use of agogics, polymetry, hemiolas, arpeggios, and observing rests. Harmonic-form analysis facilitates a better understanding of the composers‘ ideas while allowing interpretative freedom within the framework of the written guidelines. These compositions are present in music education, but performers often approach them selectively, avoiding longer and more demanding pieces, which is why these compositions often remain overshadowed by more wellknown foreign works. This assumption is supported by a survey analysis, which shows that performers have a positive opinion of these compositions, but shorter and technically simpler pieces are more popular. The survey responses highlight the need for greater inclusion of these works in pedagogical programs and the concert repertoire of Slovenian harpists, as they provide an important opportunity for the artistic development of young harpists. Alojz Srebotnjak Ivo Petrić harfa skladbe za solo harfo Alojz Srebotnjak Ivo Petrić harp compositions for solo harp true false false Založbe Univerze na Primorskem Slovenski jezik Angleški jezik Delo ni kategorizirano 2025-12-19 09:52:11 2025-12-19 09:52:12 2026-02-03 10:17:16 0000-00-00 00:00:00 2025 0 0 str. 263-290 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 9789612934255 https://doi.org/10.26493/978-961-293-425-5.263-290 ZUP_Mohoric_Naja_2025.pdf ZUP_Mohoric_Naja_2025.pdf 1 B8003622D8BADFF68EA826C622D866B6 19fae81aa4f5e061ab01b6ab062dad8483e8691b008f187b675e86987bf82852 a684116d-dcb8-11f0-8f0b-005056ac49c0 https://repozitorij.upr.si/Dokument.php?lang=slv&id=32355 Založba Univerze na Primorskem 0 0 0