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1.
Med družbeno kritiko in prilagoditvijo : mrtvaški ples
Tomislav Vignjević, 2015, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Ključne besede: mrtvaški ples, ikonografija, smrt, kulturna zgodovina
Objavljeno v RUP: 08.08.2016; Ogledov: 2492; Prenosov: 26
URL Povezava na celotno besedilo

2.
Deklica in smrt v Trebenčah : freske v cerkvi sv. Jošta
Tomislav Vignjević, 2015, izvirni znanstveni članek

Ključne besede: stensko slikarstvo, ikonografija, smrt, Deklica in smrt
Objavljeno v RUP: 08.08.2016; Ogledov: 2336; Prenosov: 75
URL Povezava na celotno besedilo

3.
L'art, la mort et la peste en Istrie aux environs de 1500
Tomislav Vignjević, 2015, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Ključne besede: ikonografija, smrt, ples smrti, kuga, Istra, pozni srednji vek
Objavljeno v RUP: 15.10.2015; Ogledov: 2673; Prenosov: 35
URL Povezava na celotno besedilo

4.
Mrtvaška plesa v Bermu in Hrastovljah : prispevki k ikonografiji motivike plesa smrti v istrski slikarski šoli
Tomislav Vignjević, 2005, izvirni znanstveni članek

Opis: Mrtvaška plesa v Bermu in Hrastovljah. Prispevki k ikonografiji motivike plesa smrti v istrski slikarski šoli
Ključne besede: Mrtvaški ples, Beram, Hrastovlje, stanovi, ikonografija
Objavljeno v RUP: 10.07.2015; Ogledov: 2906; Prenosov: 33
URL Povezava na celotno besedilo

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Robert Mills: Suspended animation. Pain, pleasure and punishement in medieval culture. London, Reaktion books, 2005
Urška Bratož, 2007, recenzija, prikaz knjige, kritika

Opis: Robert Mills: Suspended animation. Pain, pleasure and punishement in medieval culture. London, Reaktion books, 2005, 248 str.
Ključne besede: zgodovina, sociologija kulture, ikonografija, srednji vek, ocene knjig
Objavljeno v RUP: 10.07.2015; Ogledov: 2441; Prenosov: 11
URL Povezava na celotno besedilo

8.
Med dobrim in slabim razbojnikom : ikonografija in slog nekaterih upodobitev Kristusovega križanja na prehodu v novi vek
Tomislav Vignjević, 2008, izvirni znanstveni članek

Opis: At the end of the 14th century and in the 15th century, painting outside Italy witnessed an incredible spread of rich narrative depictions of the key event of the Passion. The Crucifixion of Christ was depicted as a narrative enriched with numerous details and portraying a number of characters, with special emphasis being placed on the two thieves crucified alongside Christ. As a rule, the good thief Dysmas was depicted on Christ's right hand side, while impenitent Gestas was placed on his left hand side. His depictions reveal many signs of the cruel punishment inflicted on criminals at that time. The iconography of such representations thus offers a fairly precise reflection of the then case law and methods of punishment. Several depictions of this motif are also preserved in central European painting. In Slovenia, the most comprehensive frescoes can be found in the Church of Dovje which used to be under the Freising Diocese. Depicting many narrative details (Veronica, soldiers throwing dice and quarrelling, huge military escort on Calvary, the group composed of Mary, John the Evangelist and Mary Magdalene at the foot of the cross, etc.), the scene preserved speaks in favour of the fact that its painter modeled it on depictions of the Crucifixion as found in southern Germany and Salzburg, in particular on paintings by Conrad Laib
Ključne besede: Kristusovo križanje, ikonografija, Dovje, kazenske prakse
Objavljeno v RUP: 10.07.2015; Ogledov: 2512; Prenosov: 35
URL Povezava na celotno besedilo

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