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2. Hospitality in colonial India : ancient legacy, modern tool of resistanceAna Jelnikar, 2015, izvirni znanstveni članek Ključne besede: gostoljubje, protikolonializem, 19./20.st., literarne teme in motivi, socialna antropologija, hospitality, anti-colonialism, 19th/20th cent., literary themes and motives, social anthropology
Objavljeno v RUP: 15.10.2015; Ogledov: 2577; Prenosov: 84
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3. Ženska pisava v Italiji na prelomu 19. in 20. stoletja : diplomsko deloNina Deželak, 2014, diplomsko delo Ključne besede: italijanska književnost, ženske, pisateljice, feminizem, teme, jezik žensk, literarne študije, diplomska dela, letteratura italiana, donne, scrittrici, femminismo, temi, linguaggio femminile, studi letterari
Objavljeno v RUP: 10.07.2015; Ogledov: 3066; Prenosov: 38
 Celotno besedilo (341,02 KB) |
4. Poskus reinterpretacije mita o Lepi Vidi v luči mitogeneze Renéja GirardaMojca Šauperl, 2009, izvirni znanstveni članek Opis: According to René Girard, sacrificial rites and myths reenact the founding murder, which puts an end to the mimetic crisis and allows the formation of a human community. In this light, it is interesting to observe the 10 folk songs and the fairy tale about Lepa Vida (Fair Vida) that may present several motifs characteristic of sacrificial myths. The mimetic crisis is symbolized by the sea, particularly the red and green sea in one of the songs from the Resia Valley (Slovene: Rezija, Italian: Val Resia), by the pair of male antagonists (Husband/Father and Zamorec/Seaman) and by the sun-moon pair. Vida's violent death is transformed into a suicide, a departure for a foreign land, or a long/eternal journey on the sea. The maritime abduction motif might narrate a sacrificial offering from a boat, in which Vida is the offered sacrifice, while Zamorec/Seaman is the priest. The folklore connects Fair Vida with Duino/Devin near Trieste (Italy). The etymology of the place's name, the collective understanding of Devin as the setting of Fair Vida and the legend of the White Lady suggest that the place might have been a site of human sacrifice. Prešeren stressed Fair Vida's ambivalent scapegoat quality, thus making it more interesting for literary and media renditions
Ključne besede: Lepa Vida (izmišljena oseba), literarne teme in motivi, človeško žrtvovanje, miti, Devin
Objavljeno v RUP: 10.07.2015; Ogledov: 2902; Prenosov: 38
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5. Cankarjeva Vida (drama Lepa Vida) in Kraigherjeva Pepina (drama Školjka) kot primera femme fragile in femme fatale v slovenski dramatiki na prelomu stoletjaDenis Poniž, 2009, pregledni znanstveni članek Opis: In addition to poetry and short story, drama is the most important genre in Central-European modernist literature. It was through drama that modernity - in accordance with contemporary philosophical, sociological and aesthetic insights into gender relations - formed two distinctive female literary characters - the fragile woman (femme fragile, das Kindfrau) and her counterpart, the fatal woman (femme fatale). These two characters do not appear only in drama (although drama is where their development culminates, especially in the works of Arthur Schnitzler in Frank Wedekind), but also in poetry and fiction, and at least for a fleeting moment they entered also into contemporary Slovenian drama. Although forming and solving modern questions was not the priority of Slovenian literature of the time, we can still trace certain distinguishing features of a "fragile woman" or "woman-child" in Cankar's last play, 'Lepa Vida', regardless of the fact that Cankar is interested in other and different problems set forth in this lyrical play. However, in 'Lepa Vida' there certainly is a clear conception of a fragile woman and a woman-child, that cannot develop into femme fatale as is frequently characteristic of Schnitzler's drama. Cankar's contemporary and friend Lojz Kraigher brought his protagonist Pepina from the play 'Školjka' closer to the typical features of a fatal woman. Not only in her appearance but also in her actions, Pepina is an explicitly fatal woman, who does not hide her erotic and sexual lust, which proves fatal for all men who come close to her, especially for the young student Maks. In this article the parallels between Schnitzler's fatal women and Pepina are explored, finding that Kraigher must have been familiar with some of Schnitzler's plays (or seen them in theatres of Vienna), for he formed a dramatic character perfectly fitting the "femme fatale" concept of the time
Ključne besede: dramatika, moderna, literarne teme in motivi, femme fragile, femme fatale
Objavljeno v RUP: 10.07.2015; Ogledov: 2998; Prenosov: 59
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