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51.
Ples - ponoven stik s seboj? : diplomsko delo
Sara Idzig, 2015, undergraduate thesis

Keywords: ples, osebnost, persona, samospoznavanje, stik s seboj
Published in RUP: 14.10.2015; Views: 2657; Downloads: 43
.pdf Full text (286,99 KB)

52.
Vsebine folklore v predšolskem obdobju : diplomska naloga
Ariela Abraham, 2014, undergraduate thesis

Keywords: ples, izročilo, folklora, dediščina, glasbila, običaji, otroci, igra
Published in RUP: 10.07.2015; Views: 3136; Downloads: 155
.pdf Full text (466,58 KB)

53.
54.
Ples v povezavi z drugimi področji na tematiko pomladi : diplomska naloga
Maja Zajc, 2014, undergraduate thesis

Keywords: predšolski otroci, plesna vzgoja, ples, plesnost, gibanje, ustvarjalnost
Published in RUP: 10.07.2015; Views: 3461; Downloads: 188
.pdf Full text (2,54 MB)

55.
Otroški ljudski plesi : diplomska naloga
Nataša Trček, 2014, undergraduate thesis

Keywords: ples, igra, pesmi, otroci, folklora, kulturna dediščina
Published in RUP: 10.07.2015; Views: 11415; Downloads: 1439
.pdf Full text (1000,36 KB)

56.
Material kot spodbuda za ples : diplomska naloga
Metka Istenič, 2014, undergraduate thesis

Keywords: ples, ustvarjalni gib, vloga vzgojitelja, plesne spodbude, raziskovanje materialov
Published in RUP: 10.07.2015; Views: 3702; Downloads: 236
.pdf Full text (2,21 MB)

57.
Mrtvaška plesa v Bermu in Hrastovljah : prispevki k ikonografiji motivike plesa smrti v istrski slikarski šoli
Tomislav Vignjević, 2005, original scientific article

Abstract: Mrtvaška plesa v Bermu in Hrastovljah. Prispevki k ikonografiji motivike plesa smrti v istrski slikarski šoli
Keywords: Mrtvaški ples, Beram, Hrastovlje, stanovi, ikonografija
Published in RUP: 10.07.2015; Views: 3025; Downloads: 33
URL Link to full text

58.
Ples s smrtjo : negacija in potrjevanje hierarhije v podobah mrtvaškega plesa
Tomislav Vignjević, 2006, original scientific article

Abstract: The dance of death, one of the most characteristic motifs of late-mediaeval and Renaissance art, has within the scope of its meaning preserved the basically negative connotation of a dance that was condemned by the Church throughout the Middle Ages. As a specific form of dancing in graveyards, quite widespread in the mediaeval period and prohibited by numerous Church orders, it further augmented the quality of subverting social and religious norms as one of the constitutive elements of the dance of death iconography. It combined the duality of meaning exhibited by the representation of an entire social structure in the form of a dance in which members of individual classes dance with Death. The hierarchy of the social structure, based on gradation from the pope at the beginning to the beggar and child at the end of the line, was presented in a transparent way and at the same time distorted by the fundamental idea of being equal before Death and by the dance with skeletons, which stood for the annulment of the hierarchical order. The social structure as presented by dances of death corresponded to the already familiar class distinctions, depicted in this iconographic topic in various types of classification into larger social groups: from the three-functional distinction into three social orders and the division into clerics and lay people, to the most widespread form of alternation of secular and clerical classes. Thus, the familiar models of social distinction into classes and groups were represented, the holders of authority and social power manifestly set at the head of a hierarchy that was at the same time the object of egalitarian criticism.
Keywords: ples, mrtvaški ples, stanovi, reprezentacija
Published in RUP: 10.07.2015; Views: 3107; Downloads: 42
URL Link to full text

59.
Reprezentacija ženske v orientalskem plesu
Bojana Strgar, 2007, undergraduate thesis

Keywords: orientalski ples, trebušni ples, egipčanski ples, estetika plesa, čutnost, orientalizem, Koran, islam
Published in RUP: 15.10.2013; Views: 4418; Downloads: 44
.pdf Full text (3,46 MB)

60.
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