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Title:The Coexistence of the Social, the Professional and the Artistic in the History of the Society of Slovene Composers
Authors:ID Kralj, Sonja (Author)
Files:.pdf ZUP_Kralj_Sonja_2026.pdf (224,02 KB)
MD5: 78CD49890DFC46FDAB02184E34EE9257
 
URL https://hippocampus.si/ISBN/978-961-293-555-9/19-37.pdf
 
Language:English
Work type:Not categorized
Typology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:ZUP - University of Primorska Press
Abstract:The article provides a concise overview of the doctoral thesis defended under the same title. It elucidates the importance of the Society of Slovene Composers for the preservation of Slovenian musical identity and for the promotion of musical creativity. Furthermore, it illuminates its function in addressing the statutory needs of its members. The core activities of Society are higlighted through the prism of historical circumstances that influenced its cooperation with musical institutions, related associations in the former Yugoslavia, partners in Slovenia and on the international stage, and the nature of its interdependance with the Union of Yugoslav Composers. The fulfilment of its mission delienates through the presentation of tangible initiatives in the domains of music publishing, concert activity, the promotion of new musical compositions, the dissemination of sheet music, copyright protection and international collaboration within the context of the disparate periods of Yugoslav and Slovenian cultural poli(tics)cies. A concise overview of the activities of the Society of Slovene Composers since its establishment at the end of 1945 provides an attempt to outline the programmatic and institutional efforts of its members, with a complementary examination of the influences of social, cultural, political, and institutional factors that have guided and determined its activities, as well as the cultural-political trajectories of the organisation, which in some periods of its history has gone beyond merely satisfying the statutory needs of its members and has taken its place among the most significant actors of Slovenian musical life, cultural policy and musical identity.
Keywords:Society of Slovene Composers, publishing, concerts, copyright, Union of Yugoslav Composers
Publication status:Published
Publication version:Version of Record
Place of publishing:Koper in Ljubljana
Publisher:Založba Univerze na Primorskem in Festival Ljubljana
Year of publishing:2026
Number of pages:str. 19-37
PID:20.500.12556/RUP-22746 This link opens in a new window
ISBN:9789612935559
DOI:https://doi.org/10.26493/978-961-293-555-9.19-37 This link opens in a new window
Publication date in RUP:10.03.2026
Views:183
Downloads:3
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Record is a part of a monograph

Title:Skladateljska društva nekoč in danes : preplet stanovskega in nacionalnega
Place of publishing:Koper in Ljubljana
Publisher:Založba Univerze na Primorskem in Festival Ljubljana
Year of publishing:2026
ISBN:978-961-293-555-9
COBISS.SI-ID:268951043 This link opens in a new window
Collection title:Studia musicologica Labacensia
Collection numbering:9
Collection ISSN:2712-2867

Licences

License:CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International
Link:http://creativecommons.org/licenses/by-nc/4.0/
Description:A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.

Secondary language

Language:Slovenian
Title:Sobivanje družbenega, stanovskega in umetniškega v zgodovini Društva slovenskih skladateljev
Abstract:Prispevek prinaša strnjene poudarke iz doktorske disertacije z istim naslovom. Na eni strani opredeljuje pomen Društva slovenskih skladateljev za ohranjanje slovenske glasbene identitete in promocijo slovenske glasbene ustvarjalnosti, na drugi pa razgrinja njegovo vlogo pri zadovoljevanju stanovskih potreb članstva. Temeljne vidike delovanja Društva slovenskih skladateljev osvetljuje skozi prizmo zgodovinskih okoliščin, ki so vplivale na sodelovanje z glasbenimi institucijami, s sorodnimi društvi v nekdanji Jugoslaviji, v Sloveniji in v mednarodnem kulturnem prostoru, opredeljuje pa tudi naravo njegove (so) odvisnosti z Zvezo skladateljev Jugoslavije. Uresničevanje poslanstva oriše s prikazom konkretnih pobud v glasbenem založništvu, koncertni dejavnosti, spodbujanju nastanka novih glasbenih del, posredovanju notnega gradiva, zaščiti avtorskih pravic in mednarodnem sodelovanju v posameznih obdobjih jugoslovanske in slovenske (kulturne) politike. Zgoščen pregled delovanja Društva slovenskih skladateljev od ustanovitve konec leta 1945 prinaša poskus orisa programskih in institucionalnih prizadevanj njegovih članstev s komplementarno obravnavo vplivov družbenih, kulturnih, političnih in institucionalnih dejavnikov, ki so usmerjali in določali njegovo delovanje, pa tudi kulturno politične poteze organizacije, ki je v nekaterih obdobjih svoje zgodovine presegla zadovoljevanje stanovskih potreb članov in se uvrstila med pomembnejše nosilce slovenskega glasbenega življenja, kulturne politike in glasbene identitete.
Keywords:Društvo slovenskih skladateljev, založništvo, koncerti, avtorske pravice, Zveza skladateljev Jugoslavije


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