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Title:Grozljiva zgovornost tišine : slikarstvo Luca Tuymansa
Authors:ID Vignjević, Tomislav (Author)
Files:URL http://www.dlib.si/details/URN:NBN:SI:doc-88IAWHAG
 
Language:Slovenian
Work type:Not categorized
Typology:1.01 - Original Scientific Article
Organization:FHŠ - Faculty of Humanities
Abstract:Luc Tuzmans, eden najvidnejših sodobnih slikarjev, v svojem umetniškem delovanju izpričuje izjemno oseben pristop, saj so njegove slike določene z nekontinuirano, fragmentarno naracijo. Na slikah so izolirani posamezni detajli (predmeti, interierji, obrazi), ki šele ob poglobljenem preučevanju kontekstualnih povezav teh fragmentov gledalcu prezentirajo izjemno bogato in pomensko nasičeno metaforiko. Za njegova dela je značilna izolacija fragmenta, ki je v marsičem blizu Freudovemu konceptu "das Unheimliche", pri katerem nas vsakdanji objekt ali interier ob natančnejšem posvečanju celoti, iz katere je iztrgan, sooči z nekoliko "grozljivo" pripovedjo, bodisi o nacizmu, kolonialni preteklosti ali bolezni.
Keywords:slikarstvo, fragment, das Unheimliche
Publisher:Institutum Studiorum Humanitatis - Fakulteta za podiplomski humanistični študij
Year of publishing:2008
Number of pages:str. 155-163
Numbering:Letn. 10, št. 1
PID:20.500.12556/RUP-5117 This link opens in a new window
ISSN:1580-688X
UDC:75.04.000.1
COBISS.SI-ID:1411469 This link opens in a new window
Publication date in RUP:10.07.2015
Views:2297
Downloads:10
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Secondary language

Language:Slovenian
Title:The uncanny eloquence of silence
Abstract:The art of Luc Tuymans, one of the best known contemporary painters, is marked by a highly personal approach. His paintings are mostly characterised by fragmentary, discontinued narration which isolates certain details (interiors, faces, objects .). The viewer can unravel their complex metaphorical meanings only through a close examination of their contextual connotations. This isolation of a fragment, one of the most typical proceduresin his paintings, invites comparison with Freud's concept of das Unheimliche, where a mundane fragment confronts us with an ćunheimlichć background narrative, be it Nayism, the colonial past, or disease.
Keywords:painting, fragment, das Unheimliche


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