Skladatelji in občinstva med visoko in popularno kulturo : k teoriji in zgodovini družbene recepcije opere

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Title:	Skladatelji in občinstva med visoko in popularno kulturo : k teoriji in zgodovini družbene recepcije opere
Authors:	ID Kotnik, Vlado (Author)
Files:	http://www.dlib.si/details/URN:NBN:SI:DOC-WMJGLKM8
Language:	Slovenian
Work type:	Not categorized
Typology:	1.01 - Original Scientific Article
Organization:	UPR - University of Primorska
Abstract:	Članek predstavlja refleksiven pregled nekaterih primerov družbene recepcije opere. Pri tem so izpostavljeni štirje modeli družbene recepcije opere: 1) Mozart, hibridizem in divergentna kultura; 2) Wagner, avantgardizem in visoka kultura; 3) Meyeerber, komercializem in popularna kultura; 4) Verdi, belkantizem in ljudska kultura.
Keywords:	opera, družbena recepcija, občinstvo, visoka kultura, popularna kultura, ljudska kultura
Publisher:	Znanstvena založba Filozofske fakultete
Year of publishing:	2012
Number of pages:	str. 129-164
Numbering:	Zv. 48, [št.] 1
PID:	20.500.12556/RUP-7705
ISSN:	0580-373X
UDC:	782:316.72
COBISS.SI-ID:	49293154
Publication date in RUP:	30.12.2015
Views:	5140
Downloads:	57
Metadata:
:	KOTNIK, Vlado, 2012, Skladatelji in občinstva med visoko in popularno kulturo : k teoriji in zgodovini družbene recepcije opere. [online]. 2012. Vol. 48, no. 1, p. 129–164. [Accessed 8 April 2025]. Retrieved from: http://www.dlib.si/details/URN:NBN:SI:DOC-WMJGLKM8 Copy citation

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Language:	English
Title:	Composers and audiences between high and popular culture
Abstract:	The article is based on a pondered outline of examples of the social reception of opera. Four models of the social reception of opera are exemplified: 1) Mozart, hybridism and divergent culture; 2) Wagner, avantgardism and high culture; 3) Meyerbeer, commercialism and popular culture; 4) Verdi, belcantism and peopleʼs culture.
Keywords:	audience, high culture, popular culture, people's culture

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