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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.upr.si/IzpisGradiva.php?id=22883"><dc:title>Prosthetic memory and film-induced dark tourism in the specific post-conflict context</dc:title><dc:creator>Šuligoj,	Metod	(Avtor)
	</dc:creator><dc:creator>Hartman,	Jasna	(Avtor)
	</dc:creator><dc:subject>prosthetic memory</dc:subject><dc:subject>learning history</dc:subject><dc:subject>dark tourism</dc:subject><dc:subject>film-induced tourism</dc:subject><dc:subject>post-conflict society</dc:subject><dc:subject>young adults</dc:subject><dc:description>The present postmodernist study explores how widely accessible films depicting tragic historical sites/events influence prosthetic memories and film-induced dark tourism among Western Balkan (the ‘region of memory’) young adult new-age platform users with no personal war experience. A heterogeneous list of ten internation - ally known historical films, compiled with the help of informants, was the basis for discussion in three nationally diverse focus groups (Croatian, Serbian, Bosnian- Herzegovinian) and then compared with a comparison group from a less stressed environment. The results of the content analysis with triangulation are discussed, and explaining the missing prosthetic memory, factual knowledge and film-induced dark tourism nexus among young adults in a peculiarly toxic post-conflict atmosphere. The study thus identifies historical film and dark tourism abstainers and explains deviations not pre - viously reported in studies of the above concepts, taking into account the specific social environment and age group.</dc:description><dc:date>2026</dc:date><dc:date>2026-04-02 12:28:00</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>22883</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
