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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.upr.si/IzpisGradiva.php?id=23531"><dc:title>Make the friendship bracelets</dc:title><dc:creator>Vrtačič,	Eva	(Avtor)
	</dc:creator><dc:subject>Taylor Swift fandom</dc:subject><dc:subject>swifties</dc:subject><dc:subject>friedship bracelets</dc:subject><dc:subject>parasociality</dc:subject><dc:subject>reciprocity</dc:subject><dc:subject>tournaments of value</dc:subject><dc:subject>inalienable possessions</dc:subject><dc:description>This article analyses the exchange of friendship bracelets among Taylor Swift fans (Swifties) as a gift economy shaped by parasociality and platform capitalism. Because the celebrity is structurally inaccessible at scale, reciprocity cannot return as an interpersonal gift and is instead displaced laterally into fan-to-fan exchange, becoming horizontal reciprocity and a moral economy of belonging. Drawing on Mauss and Lévi-Strauss, and extending the analysis through Malinowski, Appadurai, Kopytoff, Weiner, Gell, and Miller, I show how mass-produced materials are singularised through labour and ex change. The Eras Tour operates as a tournament of value in which bracelets function as pop-cultural valuables whose circulation organises recognition and inclusion. Reciprocity here can be understood as temporally extended, networked circulation anchored around an absent centre.</dc:description><dc:publisher>Založba Univerze na Primorskem</dc:publisher><dc:date>2026</dc:date><dc:date>2026-08-21 10:13:54</dc:date><dc:type>Neznano</dc:type><dc:identifier>23531</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
