1. Prosthetic memory and film-induced dark tourism in the specific post-conflict context : a divergent young adults’ perspectiveMetod Šuligoj, Jasna Hartman, 2026, original scientific article Abstract: The present postmodernist study explores how widely accessible films depicting tragic historical sites/events influence prosthetic memories and film-induced dark tourism among Western Balkan (the ‘region of memory’) young adult new-age platform users with no personal war experience. A heterogeneous list of ten internation - ally known historical films, compiled with the help of informants, was the basis for discussion in three nationally diverse focus groups (Croatian, Serbian, Bosnian- Herzegovinian) and then compared with a comparison group from a less stressed environment. The results of the content analysis with triangulation are discussed, and explaining the missing prosthetic memory, factual knowledge and film-induced dark tourism nexus among young adults in a peculiarly toxic post-conflict atmosphere. The study thus identifies historical film and dark tourism abstainers and explains deviations not pre - viously reported in studies of the above concepts, taking into account the specific social environment and age group.
Keywords: prosthetic memory, learning history, dark tourism, film-induced tourism, post-conflict society, young adults
Published in RUP: 02.04.2026; Views: 371; Downloads: 5
 Link to file |
2. How Music Works : Film Composers, Labour, and the Screen Composers Association in Mid-Twentieth-Century AmericaIngeborg Zechner, 2026, independent scientific component part or a chapter in a monograph Abstract: Film music composition emerged as one of the most prolific domains of musical creation in twentieth-century America. Beyond offering vast professional opportunities, Hollywood film music occupied a unique aesthetic and institutional position: situated between popular and art music, it was shaped by the medium of film and received ambivalent receptions from audiences and scholars alike. In the 1940s and 1950s, Hollywood composers habitually undertook diverse musical tasks – composing, arranging, conducting – within a highly industrialised division of labour that lacked a comprehensive legal framework. While actors, directors, and writers formed powerful guilds, the distinctive position of film composers, caught between creative authorship and industrial labour, required a dedicated professional body. Founded in 1945, the Screen Composers Association (SCA) sought to address this gap by supporting the specific professional needs of film composers. Despite its significance, the SCA’s history has received little scholarly attention. This article examines the SCA’s formative years to illuminate the complex intersections of composition, labour, and industry in Hollywood. Drawing on archival records of the SCA preserved at the Margaret Herrick Library and related materials in US archives, I contextualise the society’s activities within the broader networks of film and music organisations. This perspective highlights how composer societies like the SCA collectively shaped the working lives of film composers, from negotiating performance rights and addressing challenges of international distribution to fostering professional solidarity.
Keywords: Hollywood film music, film composers, Screen Composers Association (SCA), copyright law, labour law, performing rights
Published in RUP: 10.03.2026; Views: 318; Downloads: 9
 Full text (256,97 KB)
This document has more files! More... |
3. |
4. |
5. Filmska vzgoja na razredni stopnji : magistrsko deloNastja Hartman, 2022, master's thesis Keywords: film, filmska vzgoja, učni načrt, osnovna šola, filmski kulturno-vzgojni programi, otrokov razvoj, dojemanje filma, optične igrače
Published in RUP: 12.07.2022; Views: 3622; Downloads: 55
Full text (1,81 MB) |
6. Identitete in samoidentifikacije : na primeru filma Tomboy in Lola in morjeBeti Cerovac, 2022, undergraduate thesis Keywords: identiteta, spol, transspolnost, cisspolnost, film, mediji, vizualna komunikacija, zaključna dela
Published in RUP: 07.04.2022; Views: 3104; Downloads: 58
Full text (1,02 MB) |
7. |
8. |
9. Kontrastivna analiza podnapisov v filmu "Io non ho paura" : diplomsko deloEmilija Kabanica, 2021, undergraduate thesis Keywords: sottotitoli, film, Io non ho paura, traduzione, analisi contrastiva, specificità culturali, dialetti, restrizioni tecniche
Published in RUP: 07.01.2022; Views: 2580; Downloads: 67
Full text (854,37 KB) |
10. |
