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1.
Game of Thrones and Destination Authenticity : a Comparative Analysis of DMO Social Media Practices
Hava Hodžić, Tina Šegota, Marjetka Rangus, 2026, original scientific article

Abstract: Instagram is a key visual social media platform that enables tourism organisations to showcase destinations. Understanding how destination image is constructed on social media and how the destination’s identity and authenticity are promoted is crucial for effective destination marketing strategies. However, promotional practices might vary among tourism organisations, i.e. local, regional, and national, potentially creating different identities and authenticity. With Dubrovnik gaining worldwide attention through the popular TV series Game of Thrones, the study examines the strategies employed by national and local tourism organisations in the city’s social media promotion. Using a summative approach, we conducted a content analysis of 1,034 photographs posted between 2016 and 2020 on the official Instagram profiles of national and local tourism organisations. Findings reveal that Dubrovnik’s relationship with Game of Thrones is highly leveraged at the national level, constructing a fabricated sense of authenticity. However, the social media communication by the local tourism organisation emphasises heritage and nature, thereby safeguarding its authenticity. This discrepancy underscores distinct communication strategies and highlights the importance of understanding these differences for effective destination marketing.
Keywords: film tourism, social media, destination image, authenticity, Game of Thrones
Published in RUP: 21.07.2026; Views: 211; Downloads: 9
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2.
Prosthetic memory and film-induced dark tourism in the specific post-conflict context : a divergent young adults’ perspective
Metod Šuligoj, Jasna Hartman, 2026, original scientific article

Abstract: The present postmodernist study explores how widely accessible films depicting tragic historical sites/events influence prosthetic memories and film-induced dark tourism among Western Balkan (the ‘region of memory’) young adult new-age platform users with no personal war experience. A heterogeneous list of ten internation - ally known historical films, compiled with the help of informants, was the basis for discussion in three nationally diverse focus groups (Croatian, Serbian, Bosnian- Herzegovinian) and then compared with a comparison group from a less stressed environment. The results of the content analysis with triangulation are discussed, and explaining the missing prosthetic memory, factual knowledge and film-induced dark tourism nexus among young adults in a peculiarly toxic post-conflict atmosphere. The study thus identifies historical film and dark tourism abstainers and explains deviations not pre - viously reported in studies of the above concepts, taking into account the specific social environment and age group.
Keywords: prosthetic memory, learning history, dark tourism, film-induced tourism, post-conflict society, young adults
Published in RUP: 02.04.2026; Views: 656; Downloads: 21
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