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1.
The Slovene Composer Ivo Petrić and Društvo slovenskih skladateljev
Niall O’Loughlin, 2026, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Opis: After the Second World War Slovene composers formed a society to organise and coordinate all their activities. Gradually the progress in publishing and making Slovene music available for performance was considerable. In 1972 the composer Ivo Petrić was appointed to Secretary of the Society of Slovene Composers (Društvo slovenskih skladateljev, abbreviated to DSS). He was active in increasing the numbers of works published, the large library of orchestral works for hire and later the recording of numerous works. Petrić was a very important model for his colleagues. Not only did he work tirelessly for all the composers of the society, but he also formed the Slavko Osterc Ensemble to perform mostly new Slovene chamber ensemble works and to record them. As a composer he produced many interesting and impressive works. Early symphonies taking some influence from Hindemith and Prokofiev were followed by a period using techniques from the Polish avant-garde. Later he returned to more traditional techniques. His contribution to the development of serious Slovene music has been very important, with DSS now thriving in all its aspects.
Ključne besede: Composers societies, Society of Slovene Composers, Društvo slovenskih skladateljev, Ivo Petrić, Slavko Osterc Ensemble, Edicije DSS, Music in Slovenia
Objavljeno v RUP: 10.03.2026; Ogledov: 14; Prenosov: 0
.pdf Celotno besedilo (142,28 KB)
Gradivo ima več datotek! Več...

2.
The Coexistence of the Social, the Professional and the Artistic in the History of the Society of Slovene Composers
Sonja Kralj, 2026, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Opis: The article provides a concise overview of the doctoral thesis defended under the same title. It elucidates the importance of the Society of Slovene Composers for the preservation of Slovenian musical identity and for the promotion of musical creativity. Furthermore, it illuminates its function in addressing the statutory needs of its members. The core activities of Society are higlighted through the prism of historical circumstances that influenced its cooperation with musical institutions, related associations in the former Yugoslavia, partners in Slovenia and on the international stage, and the nature of its interdependance with the Union of Yugoslav Composers. The fulfilment of its mission delienates through the presentation of tangible initiatives in the domains of music publishing, concert activity, the promotion of new musical compositions, the dissemination of sheet music, copyright protection and international collaboration within the context of the disparate periods of Yugoslav and Slovenian cultural poli(tics)cies. A concise overview of the activities of the Society of Slovene Composers since its establishment at the end of 1945 provides an attempt to outline the programmatic and institutional efforts of its members, with a complementary examination of the influences of social, cultural, political, and institutional factors that have guided and determined its activities, as well as the cultural-political trajectories of the organisation, which in some periods of its history has gone beyond merely satisfying the statutory needs of its members and has taken its place among the most significant actors of Slovenian musical life, cultural policy and musical identity.
Ključne besede: Society of Slovene Composers, publishing, concerts, copyright, Union of Yugoslav Composers
Objavljeno v RUP: 10.03.2026; Ogledov: 13; Prenosov: 0
.pdf Celotno besedilo (224,02 KB)
Gradivo ima več datotek! Več...

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