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1.
Human-Computer Interaction in Slovenia : A Retrospective and Trend Analysis of Local Research
Ciril Bohak, 2025, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Opis: This paper presents a retrospective and trend analysis of Human-Computer Interaction (HCI) research in Slovenia, with a focus on publications from national Human-Computer Interaction (HCI) conference venues between 2014 and 2024. Drawing on a dataset of 84 papers authored by 138 distinct contributors, we examine the evolution of research topics, author participation, and institutional involvement over time. The results show a relatively stable number of accepted papers per year, accompanied by fluctuations in author diversity, with 2022 marking a peak in community engagement. The analysis highlights both the persistence of core Human-Computer Interaction (HCI) themes—such as usability, interaction design, and visualization—and the gradual inclusion of emerging areas, including immersive technologies and data-driven design. By situating local contributions within broader international developments, the study provides an overview of the Slovenian Human-Computer Interaction (HCI) landscape, identifies patterns of collaboration and dissemination, and relects on challenges and opportunities for strengthening the community in the future.
Ključne besede: Human-Computer Interaction, Slovenia, research trends, retrospective analysis, publication analysis
Objavljeno v RUP: 29.01.2026; Ogledov: 183; Prenosov: 0
.pdf Celotno besedilo (178,08 KB)

2.
Vittorio Radeglia and His Serenade aux Etoiles in the Modern Composers’ Series Competition
Vjera Katalinić, Lucija Konfic, 2025, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Opis: Vittorio Radeglia (Istanbul, 1863 – Istanbul, 1941) was a composer of operas, orchestral works, cantatas, but the largest part of his output consisted of compositions for solo instruments, chamber ensembles, and vocal songs. Thanks to his Dalmatian origin, the Department for History of Croatian Music of the Croatian Academy of Sciences and Arts in Zagreb received his musical legacy as a gift from his daughter. Since Radeglia is not known to the wider musical and musicological audiences, in this paper we will present the outline of his life and work, but we will devote most of our attention to his composition Serenade aux etoiles [Serenade to the Stars], a piece that was awarded first prize in the Modern Composers’ Series competition and published by the Art Publication Society (St Louis) in 1913. The idea behind this publishing series was to make music education widely available through the publication of scores “with authoritative pedalling, fingering and phrasing”, but the series also aimed to communicate “the poetic idea of the composer.” Thus, the scores also included composers’ notes on in the published piece which addressed issues of interpretation. These notes will be discussed in relation to the contemporary performer’s interpretation organized for the purpose of this analysis. The research for this paper is part of the project “Institutionalization of modern bourgeois musical culture in the 19th century in Civil Croatia and the Military Border”.
Ključne besede: Vittorio/Victor Radeglia, musical legacy, Serenade aux Etoiles, Modern Composers‘ Series Competition, Art Publication Society
Objavljeno v RUP: 18.12.2025; Ogledov: 237; Prenosov: 0
.pdf Celotno besedilo (2,23 MB)

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