131. Music in Terezín : Cultural Continuity in Extreme ConditionsLubomír Spurný, 2026, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: The article examines the phenomenon of the “Terezín composers” and the role of music in the extreme conditions of the Theresienstadt (Terezín) ghetto between 1941 and 1945. The term, although widely used, does not denote a coherent compositional school: Viktor Ullmann, Pavel Haas, Hans Krása, Zikmund Schul, Karel Reiner, Gideon Klein, and others did not share a unified aesthetic programme, compositional techniques, or common patronage. Their works have little in common in terms of innovation or stylistic novelty. Instead, they were profoundly shaped by the circumstances of imprisonment and the cultural topography of the ghetto, which, as Michael Beckerman has pointed out, conferred upon them a special emotional resonance. The study outlines three perspectives: professional practice under duress, the cultural preludes of clandestine musical life in the Protectorate, and the development of musical life in Terezín itself – from early prohibitions through the structures of Freizeitgestaltung to its exploitation in Nazi propaganda. Special attention is given to the vital role of performers who preserved the works and to the paradoxical cultural encounter of Czech, German, and Jewish traditions. In this sense, Theresienstadt became the last site where these cultures converged – briefly and creatively, before being destroyed by the deportations of 1944.
Ključne besede: Theresienstadt, Terezín composers, Viktor Ullmann, Pavel Haas, Hans Krása, Gideon Klein, Zikmund Schul, Karel Reiner, Freizeitgestaltung
Objavljeno v RUP: 10.03.2026; Ogledov: 253; Prenosov: 11
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132. E contra U : Zusammenarbeit und Streit zweier Sparten im Österreichischen KomponistenbundHartmut Krones, 2026, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: Am 14. Juni 1913 schlossen sich Österreichs schöpferische Musiker in einer „constituierenden 1. Versammlung des Oesterreichischen Komponisten-Clubs“ zu einer Interessen-Vereinigung zusammen, die nicht nur gesellschaftliche Kontakte pflegen und Fachgespräche fördern sollte, sondern durchaus kämpferische Aktionen zur Durchsetzung ureigenster Anliegen des Komponistenstandes im Sinne hatte. Zunächst als „Club“ gegründet, wurde die Vereinigung 1917 in „Komponistenbund“ umbenannt und schließlich 1930 in zwei „Sektionen“ geteilt: eine für „ernste Musik“ und eine für „Unterhaltungsmusik“ (bis dahin sprach man hier von „Musik heiterer Richtung“). Und damit begannen die Differenzen, unter anderem aus Gründen der Verwendung der vorhandenen Gelder. Noch mehr Probleme stellten sich ein, als die Vereinigung im März 1938 nach dem „Anschluß“ Österreichs an Hitler-Deutschland aufgelöst und in den „Bund deutscher Komponisten aus Österreich“ übergeführt wurde: Der erste Beschluß der ebenfalls „gleichgeschalteten“ Urheberrechtsgesellschaft A.K.M. galt den Regelungen für die nur „U-Komponisten“ betreffende „Tonfilm-Verrechnung“ – sie wurden rückwirkend „dem bei der [deutschen] STAGMA gültigen Schlüssel“ angepaßt. Nach der Wieder-Errichtung des „Österreichischen Komponistenbundes“ vom November 1947 setzten sich auch die Mißstimmungen und Meinungsverschiedenheiten zwischen „E-Sektion“ und „U-Sektion“ fort, die zum Teil sogar weiterhin die ideologisch-politischen Lager der Jahre 1938–1945 widerspiegelten. Unter anderem wurde von der U-Sparte ein Dachverband der drei Organisationen Komponistenbund (ÖKB), Internationale Gesellschaft für Neue Musik (IGNM) und Österreichische Gesellschaft für zeitgenössische Musik (ÖGZM) verhindert, und das vielleicht, weil als Präsident ein „nichtarischer“ Komponist vorgesehen war. Selbstverständlich wurde das nie als Grund benannt. „Offiziell“ wollten die „U-Komponisten“ lediglich keinen Vertreter der „Avantgarde“.
Ključne besede: Österreichischer Komponistenbund, Österreichische Musikgeschichte, Musiksoziologie, Tantiemen, U-Musik
Objavljeno v RUP: 10.03.2026; Ogledov: 382; Prenosov: 5
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133. The Coexistence of the Social, the Professional and the Artistic in the History of the Society of Slovene ComposersSonja Kralj, 2026, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: The article provides a concise overview of the doctoral thesis defended under the same title. It elucidates the importance of the Society of Slovene Composers for the preservation of Slovenian musical identity and for the promotion of musical creativity. Furthermore, it illuminates its function in addressing the statutory needs of its members. The core activities of Society are higlighted through the prism of historical circumstances that influenced its cooperation with musical institutions, related associations in the former Yugoslavia, partners in Slovenia and on the international stage, and the nature of its interdependance with the Union of Yugoslav Composers. The fulfilment of its mission delienates through the presentation of tangible initiatives in the domains of music publishing, concert activity, the promotion of new musical compositions, the dissemination of sheet music, copyright protection and international collaboration within the context of the disparate periods of Yugoslav and Slovenian cultural poli(tics)cies. A concise overview of the activities of the Society of Slovene Composers since its establishment at the end of 1945 provides an attempt to outline the programmatic and institutional efforts of its members, with a complementary examination of the influences of social, cultural, political, and institutional factors that have guided and determined its activities, as well as the cultural-political trajectories of the organisation, which in some periods of its history has gone beyond merely satisfying the statutory needs of its members and has taken its place among the most significant actors of Slovenian musical life, cultural policy and musical identity.
Ključne besede: Society of Slovene Composers, publishing, concerts, copyright, Union of Yugoslav Composers
Objavljeno v RUP: 10.03.2026; Ogledov: 399; Prenosov: 11
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136. The Osor Aquatorium : An Overview of Underwater Archaeological ResearchZrinka Ettinger Starčić, izvirni znanstveni članek Opis: In the Kvarner area and the Cres-Lošinj archipelago, Osor is the oldest and most significant island settlement, as well as the best-researched archaeologically. In addition to land-based archaeological surveys and research, ongoing since the late 19th century, the seabed of the entire island area has been systematically surveyed and studied. Particular attention has been given to the Osor seabed, due to the importance and value of the material culture originating from the settlement itself. This article presents all previous research conducted over the past 70 years, chronologically divided into two main periods: the first systematic research during the second half of the 20th century, and more recent systematic and protective research in the early decades of the 21st century. The results of these activities certainly complete the picture of the way and dynamics of life in this island centre throughout different historical periods, especially from the perspective of ancient seafaring, navigation, and Osor’s role in established transport and economic communications.
Ključne besede: Cres-Lošinj, Osor, harbour, maritime trade route, underwater archaeological research
Objavljeno v RUP: 09.03.2026; Ogledov: 362; Prenosov: 15
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137. The Roman Urbanisation of the Northern Adriatic Island of Cres : Re-Evaluation of Archaeological Sources from Osor, Cres and BeliNives Doneus, izvirni znanstveni članek Opis: The article examines the question of Roman urbanisation on the island of Cres during the early imperial period. It seeks to balance the markedly different levels of research conducted at Osor, Cres, and Beli, evaluating them impartially. This re-evaluation is based on the principle that considering inscriptions, architecture, and landscape context together provides a more comprehensive understanding of Roman urban development than treating these categories separately. Adopting this approach has improved understanding of the available archaeological evidence. At the same time, it has revealed that perceptions of the Roman towns on Cres are influenced more by the state of research than most scholars would admit. The contribution of archaeological prospection methods and the dating of historical mortar are also discussed. Due to the very different post-Roman historical trajectories and natural conditions at each site, a wide range of results has been observed. The findings confirm that Osor was the Roman centre of Cres and that the inscription CIL III 3148 (10131) most likely originates from there. The location of the potential Roman settlement of Crexi remains unknown. No evidence was found to support the existence of an early imperial town at Beli. Instead, the dating of the city wall mortar indicates a settlement phase in late Antiquity.
Ključne besede: Kvarner Islands, Osor, Cres, Beli, Roman municipium, Mortar analysis
Objavljeno v RUP: 09.03.2026; Ogledov: 367; Prenosov: 16
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138. The Caryatid from Osor (Apsorus) : A Provincial Reinterpretation of a Classical MotifKatarina Šmid, izvirni znanstveni članek Opis: The study examines the marble female statue from Osor (Apsorus; now in the Museo Archeologico Nazionale di Venezia, inv. no. 162-A), traditionally referred to as Medea, Caryatid, or Muse-Caryatid. The figure is dressed in a chiton and diplex, it was carved with an unfinished back, suggesting placement against a wall. Stylistic and iconographic analysis of its posture and drapery associate it more closely with the Tralles/Cherchell type of caryatides than with the Erechtheion prototypes, thereby underscoring its primarily decorative rather than structural purpose. The statue’s archaizing hairstyle and drapery, together with other sculptural finds from Apsorus, suggest an Early Imperial date of production, most likely within the Augustan or Julio-Claudian period. The absence of a clear archaeological context precludes certainty about its original function, but its decorative role – possibly within a public building or elite residence – appears most plausible. The statue exemplifies the transmission and adaptation of classical models in provincial Roman art, reflecting Apsorus’s cultural engagement with modern metropolitan artistic trends.
Ključne besede: Apsorus, Caryatid, Grimani collection, Dalmatia, Augustan era
Objavljeno v RUP: 09.03.2026; Ogledov: 399; Prenosov: 17
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139. Selected Glass Finds from Apsorus (Osor) – Reflection of Wealth and PrestigeIrena Lazar, izvirni znanstveni članek Opis: The article focuses on selected glass finds from Osor. The exact provenance of the finds is unknown; most likely, they were discovered in a Roman necropolis of Apsorus. Among the excavated materials, early products of Roman glassmaking, dated to the 1st century AD, stand out and illustrate the remarkable diversity of glassmaking technological practices of the period. Some of them were still made in moulds, others by mould-blowing, but we should also mention the earliest blown products. Imports of these products in Roman towns and cities along the Adriatic reflect the economic strength of the population and an extensive trade network expanding from northern Italy to the Eastern Mediterranean.
Ključne besede: Osor, Roman glass, moulds and mould-blowing, trade, import
Objavljeno v RUP: 09.03.2026; Ogledov: 363; Prenosov: 14
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140. The Emergence of the Iron Age in Osor Through Representative Material CultureMartina Blečić Kavur, izvirni znanstveni članek Opis: Situated at a strategically important position within the Cres–Lošinj archipelago, Osor developed during later prehistory into a (proto)urban settlement and became one of the key centres of the Kvarner region and the northern Adriatic. This research is based on a typological-stylistic, and comparative analysis of published and previously unpublished attire and jewellery finds from three cemeteries, considering their archaeological context and funerary practices. Special emphasis is placed on the types of artefacts identified and their integration into patterns of Iron Age social practices in the Adriatic and wider European regions. The analysis draws on data from archival, systematic, and rescue archaeological investigations, as well as the results of recent absolute dating and bioarchaeological studies. The aim of the paper is to expand the concept of Osor’s archaeology of death through an analysis of representative material culture from closed grave assemblages dating to the initial phase of the Early Iron Age, and to examine its role in the construction of social structures, identities, and networks of interaction. The results indicate internal social differentiation and regional and supra-regional cultural connections, thereby confirming Osor’s role as an important node of interaction between the 10th and 8th centuries BCE.
Ključne besede: Osor, Early Iron Age, burials, material culture, social structure and cultural contacts
Objavljeno v RUP: 09.03.2026; Ogledov: 410; Prenosov: 16
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