Izbira tempa Mozartovih del – skozi minsko polje zgodovinskih virov

Barbo, Jakob

SLO

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Title:	Izbira tempa Mozartovih del – skozi minsko polje zgodovinskih virov
Authors:	ID Barbo, Jakob (Author)
Files:	ZUP_Barbo_Jakob_2025.pdf (760,60 KB) MD5: 7CF4B4639D7104971EC722370B5CF2FE
Language:	Slovenian
Work type:	Not categorized
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	ZUP - University of Primorska Press
Abstract:	Priljubljenost del Wolfganga Amadeusa Mozarta od njihovega nastanka vse do danes je botrovala nastnaku številnih zmot glede njihove interpretacije, še posebej na področju izbire pravega tempa – področju, ki je bilo skladatelju še posebej pomembno. Pogosto se sekundarni viri zadovoljijo z opiranjem na zgodovinske vire, ki so nastali prostorsko in časovno blizu skladateljevega časa, kar pa nikakor ni zadostni pogoj za njihovo relevatnost. Najprej bomo opredelili ključne, neizpodbitne vire: Mozartov lastni zapis, njegove spremembe tega zapisa, njegova pisma, prav tako pa tudi zapise njegovega očeta Leopolda. Vsak izmed njih bo predstavljen, posebna podrobnost pa bo namenjena prav Leopoldu, katerega violinska šola Versuch einer gründlichen Violinschule iz leta 1756 je pogosto odslovljena zgolj kot priročnik za začetnike, čeprav se od podobnih šol razlikuje po temeljitosti in globokem uvidu, ki je rezultat teoretikove široke razgledanosti in izpolnjevanja življenjskega poslanstva. Kot najpomembnejši element zapisa tempa izide taktovski način, ki mu sledi besedna oznaka kot dopolnila, pozneje razvita informacija. Pomembnost pravilnega in pasti napačnega razumevnja elementov zapisa tempa prikazujem na primeru, na katerem je preizkušena tudi vzpostavljena hierarhija relevantnih virov.
Keywords:	Wolfgang Amadeus Mozart, Leopold Mozart, tempo, metrum
Publication status:	Published
Publication version:	Version of Record
Publisher:	Založbe Univerze na Primorskem
Year of publishing:	2025
Number of pages:	str. 203-217
PID:	20.500.12556/RUP-22275
ISBN:	9789612934255
DOI:	https://doi.org/10.26493/978-961-293-425-5.203-217
Publication date in RUP:	19.12.2025
Views:	146
Downloads:	2
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Record is a part of a monograph

Title:	Glasbena interpretacija: med umetniškim in znanstvenim : [znanstvena monografija z mednarodno udeležbo]
Place of publishing:	Koper
Publisher:	Založba Univerze na Primorskem, Festival Ljubljana
Year of publishing:	2025
ISBN:	978-961-293-425-5
COBISS.SI-ID:	222878467
Collection title:	Studia musicologica Labacensia
Collection ISSN:	2536-2445

Document is financed by a project

Funder:	Štipendija Ustanove inž. Lenarčič Milana

Licences

License:	CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International

Link:	http://creativecommons.org/licenses/by-nc/4.0/
Description:	A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.

Secondary language

Language:	English
Title:	Selecting the Tempo of Mozart‘s Works – Traversing the Minefield of Historical Sources
Abstract:	The enduring popularity of Wolfgang Amadeus Mozart‘s works from their inception to the present day has led to the emergence of numerous misconceptions regarding their interpretation, particularly in the area of tempo selection – a matter that was of particular importance to the composer. Secondary sources often rely on historical documents that are geographically and temporally close to Mozart‘s time, but this proximity does not necessarily guarantee their relevance. We will begin by identifying the key, indisputable sources: Mozart‘s own scores, his revisions of these scores, his letters, as well as the writings of his father, Leopold. Each of these will be presented, with special attention given to Leopold, whose violin school, Versuch einer gründlichen Violinschule from 1756, is often dismissed merely as a beginner’s manual, even though it stands out from similar works due to its deep insight, which is the result of the author’s broad erudition and lifelong dedication. Time signature emegers as the most crucial element in tempo notation, followed by tempo words as a supplementary, later-developed piece of information. The importance of correct and the pitfalls of incorrect understanding of tempo notation elements are demonstrated through an example, on which the established hierarchy of relevant sources is also tested.
Keywords:	Wolfgang Amadeus Mozart, Leopold Mozart, tempo, meter

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