Lupa

Show document Help

A- | A+ | Print
Title:Newyorški grafitarji : nevidna množica, ki je sprožila hiphop
Authors:ID Konda, Helena (Author)
Files:.pdf ZUP_Konda_Helena_2025.pdf (968,71 KB)
MD5: 425B7256FCCBA27685D49E3B6BDB6994
 
Language:Slovenian
Work type:Article
Typology:1.01 - Original Scientific Article
Organization:ZUP - University of Primorska Press
Abstract:Evolucija sloga, kasneje poimenovanega kot hiphop, se je začela v zgodnjih 70. letih prejšnjega stoletja v krogu približno 11 kilometrov med Bronxom in Manhattnom. Prispevek je posvečen grafitarjem v New Yorku, ki so kot elitna skupina tega ustvarjalnega vozlišča razvili divji slog (angl. wild style). Pisanje grafitov po podzemni železnici in drugih izpostavljenih površinah v javnem prostoru je delovalo kot učinkovit komunikacijski kanal. Sprožilo je globalni družbeni trend podpisovanja s slikovnimi grafiti. Na podlagi etnografske analize pisnih in avdiovizualnih virov o nastanku ter razvoju hiphoperskih grafitov v ameriških mestih prispevek raziskovano skupino opisuje kot nevidno ali razpršeno množico z uporabo metodologije kulturne antropologije in socialne psihologije. Analiza delovanja in mobilizacijske moči skupine temelji na metodah psihologije množice, predvsem frustracijskih in komunikacijskih teorijah množic. Raziskovana skupina je po teoriji dodane vrednosti Neila Smelserja označena kot vrednostno usmerjeno družbeno gibanje, represivni ukrepi proti njej pa kot odgovor oblasti v skladu z ustaljenim načinom sklicevanja na red in zakonitost. Analizo dopolnjuje teorija Howarda Rheingolda, ki razlaga komunikacijske navade množic v tehnološko naprednejših okoliščinah na globalni ravni. Preučevana skupina je kronološko gledano spadala v čas pred začetkom hiphopa, vendar jo zaradi konstruktivnega mobilizacijskega vpliva na nadaljnji razvoj gibanja na splošno uvrščamo med temeljne sestavine hiphopa.
Keywords:grafiti, hiphop, New York, psihologija množice, nevidna množica, teorija množičnih uporov
Publication status:Published
Publication version:Version of Record
Year of publishing:2025
Number of pages:str. 281-298
Numbering:Vol. 57, no. 2
PID:20.500.12556/RUP-22524 This link opens in a new window
ISSN:0587-5161
eISSN:2630-4082
DOI:https://doi.org/10.26493/2630-4082.57.281-298 This link opens in a new window
Publication date in RUP:22.01.2026
Views:52
Downloads:0
Metadata:XML DC-XML DC-RDF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share


Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Record is a part of a journal

Title:Anthropos: revija za filozofijo in psihologijo
Publisher:Slovensko filozofsko društvo in Društvo psihologov Slovenije
ISSN:2630-4082
COBISS.SI-ID:295694336 This link opens in a new window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

Language:English
Title:New York GraffitiWriters : The Invisible Crowd That Started Hip Hop
Abstract:The evolution of style that became known as hip hop started in the early 1970s in a seven-mile circle between Bronx and Manhattan. The focus of this paper is graffiti writers in New York, perceived as the elite squad of the creative hub, which developed the wild style. Writing graffiti on subway and other exposed surfaces in public spaces served as an efficient communication channel. It started the global social trend of signing with pictorial graffiti. Based on an ethnographic analysis of written and audio-visual sources about the origin and development of hip-hop graffiti in American cities, this paper describes the subject group as an invisible or dispersed crowd, using the methodology of cultural anthropology and social psychology. The analysis of the functioning and mobilization power of the group is based on the methods of crowd psychology, in particular the frustration and communication crowd theories. The subject group, according toNeil Smelser’s theory of added value, is described as a value-oriented social movement, and the repressive measures against it as a response of the authorities in accordance with the established way of referring to order and legality. The analysis is upgraded by Howard Rheingold’s theory about the communication habits of crowds in technologically advanced circumstances on a global level. Chronologically, the studied group preceded the launch of hip hop; however, it is generally classified as a fundamental part of hip hop due to its constructive mobilizing influence.
Keywords:graffiti, hip hop, New York, crowd psychology, invisible crowd, theory of mass uprisings


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica