Kulturnopolitični milje obdobja začetkov delovanja Društva slovenskih skladateljev

Gabrič, Aleš

SLO

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Title:	Kulturnopolitični milje obdobja začetkov delovanja Društva slovenskih skladateljev
Authors:	ID Gabrič, Aleš (Author)
Files:	ZUP_Gabric_Ales_2026.pdf (193,42 KB) MD5: AEC62C1616EDADE8E988B85E34C26220 https://hippocampus.si/ISBN/978-961-293-555-9/297-309.pdf
Language:	Slovenian
Work type:	Not categorized
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	ZUP - University of Primorska Press
Abstract:	Konec 2. svetovne vojne na slovenskih/jugoslovanskih tleh je prinesel bistvene spremembe za delovanje kulturnih društev. Komunistični prevzem oblasti je oviral avtonomnost delovanja kulturnih društev, nekatera pa preprosto ukinil, federalizacija države s priznanjem več narodov pa je omogočila snovanje poklicnih ustanov in društev po nacionalnem ključu, kar je pred vojno ovirala teza o enotnem srbsko-hrvaško-slovenskem narodu. Spremembe, ki jih je prineslo leto 1945, so čutila tudi slovenska glasbena društva, saj nekatera predvojna niso mogla več delovati, na nitki pa je visel tudi obstoj Glasbene matice, ki je pred desetletji obvladovala velik del glasbene scene na Slovenskem. Društvo slovenskih skladateljev je bilo kot stanovsko društvo ustanovljeno decembra 1945. Združilo je skladatelje v Sloveniji in imelo nacionalni značaj, upoštevati pa je moralo tudi ideološkega, saj je njegovo delovanje nadziral državni aparat, ki je vplival na izbor članstva in na njegovo dejavnost. Ta je bila sprva skromnejša od glasbenih društev pred vojno, saj so številne dejavnosti monopolizirale državne ustanove. Ukrep državne oblasti proti posamezniku je npr. lahko pomenil tudi onemogočanje zaposlitve v državni ustanovi ali članstva v stanovskem društvu, izdajanje glasbenega tiska pa so si prisvojila državna založniška podjetja. Šele spremembe kulturne politike po informbirojevskem sporu med Jugoslavijo in Sovjetsko zvezo je na kulturno sceno v začetku petdesetih let prinesel več svežine. To so občutila tudi kulturna društva, tudi Društvo slovenskih skladateljev, saj so se začele možnosti bolj avtonomnega odločanja širiti, na pomenu pa je pridobilo zagovarjanje stanovskih interesov.
Keywords:	Društvo slovenskih skladateljev, ustanovitev, Danilo Švara, kulturna politika, Koncertna poslovalnica za Slovenijo
Publication status:	Published
Publication version:	Version of Record
Place of publishing:	Koper in Ljubljana
Publisher:	Založba Univerze na Primorskem in Festival Ljubljana
Year of publishing:	2026
Number of pages:	str. 297-309
PID:	20.500.12556/RUP-22762
ISBN:	9789612935559
DOI:	https://doi.org/10.26493/978-961-293-555-9.297-309
Publication date in RUP:	10.03.2026
Views:	43
Downloads:	0
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Record is a part of a monograph

Title:	Skladateljska društva nekoč in danes : preplet stanovskega in nacionalnega
Place of publishing:	Koper in Ljubljana
Publisher:	Založba Univerze na Primorskem in Festival Ljubljana
Year of publishing:	2026
ISBN:	978-961-293-555-9
COBISS.SI-ID:	268951043
Collection title:	Studia musicologica Labacensia
Collection numbering:	9
Collection ISSN:	2712-2867

Licences

License:	CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International

Link:	http://creativecommons.org/licenses/by-nc/4.0/
Description:	A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.

Secondary language

Language:	English
Title:	The Cultural and Political Milieu of the Initial Period of Activity of the Society of Slovene Composers
Abstract:	The end of the Second World War brought significant changes to the activities of cultural organisations in Slovenia/Yugoslavia. The assumption of power by the Communist Party limited the autonomy of cultural societies and associations, or, in some cases, simply abolished them. On the other hand, the federalisation of the state and the recognition that it consisted of multiple nations opened the way to the creation of professional institutions and societies with a national basis, something that had been hindered before the war by the thesis of a single Serbian-Croatian-Slovene nation. The changes that occurred in 1945 were also felt by Slovene music societies, with some pre-war societies no longer able to operate. Even the Glasbena matica, which decades earlier had dominated a large part of the musical scene in Slovenia, saw its continued existence hanging by a thread. The Society of Slovene Composers was founded as a professional association of composers in December 1945. It brought together composers in Slovenia and had a national character, although it also had to take ideological criteria into account, since its functioning was overseen by the state apparatus, which influenced both the selection of its membership and its activities. The latter were initially rather more modest than those of the pre-war music societies, since many activities were monopolised by state institutions. A measure imposed against an individual by the state authorities could also prevent their employment in a state institution or their membership of a professional association, while music publishing was taken over by state publishing enterprises. It was not until the shifts in cultural policy that occurred in the early 1950s during the so-called Informbiro period ushered in by the Tito–Stalin split that greater vibrancy returned to the cultural scene. The effects were also felt by cultural organisations, including the Society of Slovene Composers, with opportunities for more autonomous decision-making now beginning to expand, while the advocacy of professional interests gained in importance.
Keywords:	Society of Slovene Composers, founding, Danilo Švara, cultural policy, Concert Agency for Slovenia

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