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Title:Performativna dimenzija v slovenski sodobni drami Božič - Jesih - Jovanović - Šeligo
Authors:ID Toporišič, Tomaž (Author)
Files:URL http://www.dlib.si/details/URN:NBN:SI:DOC-BHQIJGJJ
 
Language:Slovenian
Work type:Not categorized
Typology:1.01 - Original Scientific Article
Organization:FHŠ - Faculty of Humanities
Abstract:V raznolikih poskusih zgodovinjenja slovenske sodobne drame nesporno ostaja ob strani ena izmed pomembnih lastnosti slvoenske absurdne drame, namreč njenpomen pri dekonstrukciji t. i. literarnega oziroma dramskega gledališča ter udejanjitvi performativnega obrata (Fischer-Lichte) na prelomu iz šestdesetih v sedemdeseta leta prejšnjega stoletja. Pričujoča razprava s pomočjo analize lastnosti poetik Petra Božiča, Dušana Jovanovića, Milana Jesiha in Rudija Šelige skuša prikazati prav to na videz paradoksalno lastnost slovenske drame absurda in absurdne drame, ki je privedla do ene največjih estetskih revolucij (Rancière) v slovenski umetnosti in kulturi po drugi svetovni vojni.
Keywords:slovenska književnost, slovenska dramatika, drama absurda, performativ, absurdna dramatika, performans, performativna kultura
Year of publishing:2011
Number of pages:str. 357-372
Numbering:Letn. 59, št. 4
PID:20.500.12556/RUP-7523 This link opens in a new window
ISSN:0350-6894
UDC:821.163.6.09-2
COBISS.SI-ID:3276379 This link opens in a new window
Publication date in RUP:21.12.2015
Views:5372
Downloads:31
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Secondary language

Language:English
Abstract:Various attempts to historicize contemporary Slovene drama have doubtlessly neglected one of the important features of the Slovene absurd drama, i.e., its significance in the deconstruction of the so-called literary or drama theatre and in the manifestation of the performative turn (Fischer-Lichte) at the turn of the 1970s. Using the analysis of poetics of Peter Božič, Dušan Jovanovič, Milan Jesih, and Rudi Šeligo, the present study attempts to illustrate this seemingly paradoxical characteristic of the Slovene drama ob absurdity and absurd drama, which led to one of the gratest aesthetic revolutions (Rancière) in Slovene art and culture after World War II._
Keywords:Slovene literature, Slovene theatre, Slovene drama, performative, absurd drama, performance, performative culture


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