| Naslov: | Yugoslav-Soviet Union relations from the 1950s to 1970s : Cooperation, Exchange, and Cultural Transfer through the Composers’ Association of Serbia (UKS) and the Union of Yugoslav Composers (SAKOJ) |
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| Avtorji: | ID Vasiljević, Maja (Avtor)
ID Leković, Biljana (Avtor) |
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| Datoteke: |  ZUP_Vasiljevic_Maja_2026.pdf (404,55 KB)
MD5: DAC5C3121ED3A8AF9071F046EF9EDB1B
 https://hippocampus.si/ISBN/978-961-293-555-9/223-241.pdf
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| Jezik: | Angleški jezik |
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| Vrsta gradiva: | Delo ni kategorizirano |
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| Tipologija: | 1.16 - Samostojni znanstveni sestavek ali poglavje v monografski publikaciji |
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| Organizacija: | ZUP - Založba Univerze na Primorskem
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| Opis: | This study researches the cultural-music relations between Yugoslavia and the Soviet Union from the 1950s to the 1970s, focusing on institutional cooperation led by Yugoslav composers’ associations – SAKOJ and UKS. While previous scholarship has largely overlooked classical composers and focused on macro-level cultural policies, this research addresses the underexplored role of art music in diplomatic and cultural exchanges during the Cold War. The study situates Yugoslav-Soviet musical relations within the broader socio-political context of post-World War II diplomacy, highlighting the impact of the 1948 Cominform resolution, the 1955 Belgrade and Moscow Declarations, and the liberalizing cultural policies of the 1960s. In this paper, we examined in greater detail the context of SAKOJ’s and UKS’s activities, and then, based on specific examples, illustrate how intercultural cooperation between Yugoslavia and the Soviet Union functioned. We highlighted the key problematic aspects of these relations, specifically through examples of music cooperation, exchange, and cultural transfer from the 1950s to the 1970s, such as the mechanisms of exchange of cultural workers and the principles of establishing copyright. We emphasized the significance of operating through institutional structures, and the role of associations in this process. Based on our research, it could be concluded that the SAKOJ/UKS adopted a strategic and interest-given relation to the Soviet Union. With respective members, presidents, and secretaries, and other board members, profiled cooperation with the Soviet Union was proposed by exchange of delegates for guest composers and music writers, as well as through performance and promotion of Yugoslav and Soviet repertoire. |
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| Ključne besede: | Yugoslavia, Soviet Union, SAKOJ, UKS, cultural exchange, classical music |
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| Status publikacije: | Objavljeno |
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| Verzija publikacije: | Objavljena publikacija |
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| Kraj izida: | Koper in Ljubljana |
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| Založnik: | Založba Univerze na Primorskem in Festival Ljubljana |
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| Leto izida: | 2026 |
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| Št. strani: | str. 223-241 |
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| PID: | 20.500.12556/RUP-22757  |
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| ISBN: | 9789612935559 |
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| DOI: | https://doi.org/10.26493/978-961-293-555-9.223-242 |
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| Datum objave v RUP: | 10.03.2026 |
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| Število ogledov: | 185 |
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| Število prenosov: | 3 |
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| Metapodatki: |    |
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