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Title:Game of Thrones and Destination Authenticity : a Comparative Analysis of DMO Social Media Practices
Authors:ID Hodžić, Hava (Author)
ID Šegota, Tina (Author)
ID Rangus, Marjetka (Author)
Files:.pdf ZUP_Hodzic_Hava_2026.pdf (621,83 KB)
MD5: 464822BC55BECD2C5AFE6432A54FD932
 
URL https://www.hippocampus.si/ISSN/2335-4194/19.91-111.pdf
 
Language:English
Work type:Unknown
Typology:1.01 - Original Scientific Article
Organization:ZUP - University of Primorska Press
Abstract:Instagram is a key visual social media platform that enables tourism organisations to showcase destinations. Understanding how destination image is constructed on social media and how the destination’s identity and authenticity are promoted is crucial for effective destination marketing strategies. However, promotional practices might vary among tourism organisations, i.e. local, regional, and national, potentially creating different identities and authenticity. With Dubrovnik gaining worldwide attention through the popular TV series Game of Thrones, the study examines the strategies employed by national and local tourism organisations in the city’s social media promotion. Using a summative approach, we conducted a content analysis of 1,034 photographs posted between 2016 and 2020 on the official Instagram profiles of national and local tourism organisations. Findings reveal that Dubrovnik’s relationship with Game of Thrones is highly leveraged at the national level, constructing a fabricated sense of authenticity. However, the social media communication by the local tourism organisation emphasises heritage and nature, thereby safeguarding its authenticity. This discrepancy underscores distinct communication strategies and highlights the importance of understanding these differences for effective destination marketing.
Keywords:film tourism, social media, destination image, authenticity, Game of Thrones
Geographic coverage:Dubrovnik (Hrvaška);
Publication status:Published
Publication version:Version of Record
Place of publishing:Koper
Publisher:University of Primorska Press
Year of publishing:2026
Number of pages:str. 91-111
Numbering:Year 19, no. 1
PID:20.500.12556/RUP-23341 This link opens in a new window
UDC:338.48-6:791(497.584)
ISSN on article:1855-3303
DOI:10.26493/2335-4194.19.91-111 This link opens in a new window
COBISS.SI-ID:281741571 This link opens in a new window
Publication date in RUP:21.07.2026
Views:55
Downloads:7
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Record is a part of a journal

Title:Academica Turistica – Tourism and Innovation Journal
Publisher:University of Primorska Press
ISSN:2335-4194
COBISS.SI-ID:268643072 This link opens in a new window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

Language:Slovenian
Title:Igra prestolov in avtentičnost destinacije : primerjalna analiza praks družbenih medijev DMO
Abstract:Instagram je ključna vizualna družbena medijska platforma, ki turističnim organizacijam omogoča predstavljanje turističnih destinacij. Razumevanje, kako se na družbenih omrežjih oblikuje podoba destinacije ter kako se promovirata identiteta in avtentičnost destinacije, je ključno za učinkovite strategije destinacijskega marketinga. Promocijske prakse se lahko razlikujejo med turističnimi organizacijami na lokalni, regionalni in nacionalni ravni, kar lahko vodi v oblikovanje različnih identitet in zaznav avtentičnosti. Ker je Dubrovnik pridobil svetovno prepoznavnost zaradi priljubljene televizijske serije Igra prestolov, raziskava preučuje strategije, ki jih v promociji mesta na družbenih omrežjih uporabljajo nacionalne in lokalne turistične organizacije. Z uporabo sumativnega pristopa smo izvedli analizo vsebine 1.034 fotografij, objavljenih med letoma 2016 in 2020 na uradnih Instagramovih profilih nacionalnih ter lokalnih turističnih organizacij. Ugotovitve razkrivajo, da se na nacionalni ravni močno izkorišča povezava Dubrovnika s serijo Igra prestolov, s čimer se gradi konstruiran občutek avtentičnosti. Nasprotno pa komunikacija lokalne turistične organizacije na družbenih omrežjih poudarja kulturno dediščino in naravo ter s tem ohranja avtentičnost destinacije. Ta razlika izpostavlja različne komunikacijske strategije ter poudarja pomen razumevanja teh razlik za učinkovito destinacijsko trženje.
Keywords:filmski turizem, družbeni mediji, podoba destinacije, avtentičnost, Igra prestolov


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