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Title:Interpretacija staroselske dediščine v kanadskem literarnem nacionalizmu
Authors:ID Potocco, Marcello (Author)
Files:.pdf ZUP_Potocco_Marcello_2026.pdf (694,33 KB)
MD5: 4F8F3DA3695181B747E4493E0C385A55
 
URL https://www.hippocampus.si/ISSN/2350-5443/1-2026/2350-5443.14(1)143-160.pdf
 
Language:Slovenian
Work type:Unknown
Typology:1.01 - Original Scientific Article
Organization:ZUP - University of Primorska Press
Abstract:V prispevku želim analizirati izbrane primere kanadskega pesniškega prilagajanja in prisvojitve staroselske kulturne ter mitološke dediščine, pri čemer bo zanimanje za staroselce obravnavano kot del literarnega nacionalizma, ki je bil značilen za znaten del kanadske literature v 60. oz. 70. letih 20. stoletja. Literarni nacionalizem je bistveno sooblikoval odnos do staroselcev, in sicer tako na ravni ustvarjanja kot na ravni interpretacije pesniških besedil. V ospredju bo pesništvo Ala Purdyja v primerjavi z njegovim sodobnikom Johnom Newlovom, delo obeh pa bom kontekstualiziral z metaliterarnim delovanjem Margaret Atwood. Margaret Atwood je z esejističnim delovanjem intenzivno krojila podobo kanadskega literarnega nacionalizma. Skozi branje posamičnih pesmi obeh avtorjev ter njunega predhodnika E. J. Pratta in njihovo kontekstualizacijo se bo pokazalo, da so pesniki v omenjenem obdobju odnos do kulturne dediščine staroselcev upovedovali pod vplivom ideologije, ki je želela dokončno definirati specifični imaginarij kanadske literature, ali pa je bila njihova literarna tvornost uporabljena – zlorabljena – za ta namen. Vendar velja tudi obratno: nekatere kasnejše obtožbe o literarni apropriaciji staroselskih mitologij so pogosto ciljale na besedila, ki takšna niso bila in omogočajo dvoumnejše, večpomensko branje.
Keywords:kanadski nacionalizem, kanadska književnost, staroselci, John Newlove, Al Purdy, kritiška recepcija
Publication status:Published
Publication version:Version of Record
Place of publishing:Koper
Publisher:Založba Univerze na Primorskem
Year of publishing:2026
Number of pages:str. 143-160
Numbering:Letn. 14, št. 1
PID:20.500.12556/RUP-23351 This link opens in a new window
UDC:821.111(71).09
ISSN on article:2350-5443
DOI:10.26493/2350-5443.14(1)143-160 This link opens in a new window
COBISS.SI-ID:283537667 This link opens in a new window
Publication date in RUP:21.07.2026
Views:34
Downloads:0
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Record is a part of a journal

Title:Studia universitatis hereditati
Publisher:Založba Univerze na Primorskem
ISSN:2350-5443
COBISS.SI-ID:272306688 This link opens in a new window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

Language:English
Title:Interpretation of indigenous heritage in Canadian literary nationalism
Abstract:In this paper I would like to analyse two selected examples of Canadian poetic adaptation and appropriation of First Nations cultural and mythological heritage, considering the interest in them as part of the literary nationalism that characterised a significant part of Canadian literature in the 1960s and 1970s. Literary nationalism has significantly shaped attitudes towards First Nations, both at the level of the creation and interpretation of poetic texts. Through these readings, it will be re-affirmed that poets of the period were influenced by a nationalist ideology in their portrayal of their relationship to the cultural heritage of the First Nations, but also shown that their literary production was used – or rather misused – for this purpose. However, the reverse is also true; some of the later accusations of literary appropriation of First Nations mythologies have often targeted texts that allow room for more ambiguous, multivalent readings and interpretations.
Keywords:Canadian nationalism, Canadian literature, first nations, John Newlove, Al Purdy, critical reception


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